

Chunky graffiti lettering in black outlines and orange, mustard and olive fills sits in front of dark pine silhouettes and washes of yellow paint. The finder squares are hidden inside heavy block letterforms, while the black strokes and cream gaps between them carry the modules. Thick black outlines against the pale fills and the white background keep the pattern distinct, and splatters stay mostly at the edges. Paint drips run down the bottom edge like fresh spray work.
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